Episode Summary
Art historian Matthew Milliner (Wheaton College) reflects on one of the most powerful and moving Christian icons: “The Virgin of the Passion,” AKA, “Our Lady of Perpetual Help,” which he develops in his book, Mother of the Lamb: The Story of a Global Icon. First painted as a response to failed Christian Empire and the violence of the Crusades, then mass produced and proliferated as a norm of Christian aesthetic worship, the icon offers a unique filter for contemporary understanding of faith and power; the Christian temptation to nationalism, empire, and violence; the meaning and visual expression of suffering love; and the beauty of engaged, solidarity and prophetic witness. This episode was made possible by a grant from the Tyndale House Foundation.
Episode Notes
Art historian Matthew Milliner (Wheaton College) reflects on one of the most powerful and moving Christian icons: “The Virgin of the Passion,” AKA, “Our Lady of Perpetual Help,” which he develops in his book, Mother of the Lamb: The Story of a Global Icon. First painted as a response to failed Christian Empire and the violence of the Crusades, then mass produced and proliferated as a norm of Christian aesthetic worship, the icon offers a unique filter for contemporary understanding of faith and power; the Christian temptation to nationalism, empire, and violence; the meaning and visual expression of suffering love; and the beauty of engaged, solidarity and prophetic witness.
This episode was made possible by a grant from the Tyndale House Foundation.
Support the Yale Center for Faith & Culture's $25,000 End of Year Matching Campaign by giving online today: https://faith.yale.edu/give
Show Notes
- Click to view: “Virgin of the Passion, late 15th century” Andrea Rico di Candia, Cretan, active 1451–1492, tempera on wood panel (Princeton University Art Museum)
- Click to get a copy of Matthew Milliner’s Mother of the Lamb: The Story of a Global Icon
About Matthew Milliner
Matthew Milliner is Associate Professor of Art History at Wheaton College. He holds an M.A. & Ph.D. in art history from Princeton University, and an M.Div from Princeton Theological Seminary. He is author is author most recently of The Everlasting People: G.K. Chesterton and the First Nations and Mother of the Lamb: The Story of a Global Icon. His scholarly specialization is Byzantine and medieval art, with a focus on how such images inform contemporary visual culture. He teaches across the range of art history with an eye for the prospects and pitfalls of visual theology. He is a five-time appointee to the Curatorial Advisory Board of the United States Senate, and a winner of Redeemer University’s Emerging Public Intellectual Award. He has written for publications ranging from The New York Times to First Thing_s. He recently delivered the Wade Center’s Hansen lecture series on Native American Art, and was awarded a Commonwealth fellowship at the Institute for Advanced Studies in Culture at the University of Virginia. to complete his forthcoming book, _Mother of the Lamb (Fortress Press). Follow @Millinerd on Twitter
Production Notes
- This podcast featured art historian Matthew Milliner
- Edited and Produced by Evan Rosa
- Hosted by Evan Rosa
- Production assistance by Macie Bridge
- A Production of the Yale Center for Faith & Culture at Yale Divinity School https://faith.yale.edu/about
- Support For the Life of the World podcast by giving to the Yale Center for Faith & Culture: https://faith.yale.edu/give
Transcript
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